Changes: Blade Runner

Revision as of 08:51, 15 October 2020

Blade Runner is a 1982 neo-noir science fiction film directed by Ridley Scott, depicting a dystopic Los Angeles in November 2019.

The screenplay, which was written by Hampton Fancher and David Peoples, is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. The film itself features: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel and Joanna Cassidy; lead designer: Syd Mead, soundtrack composer Vangelis.

The film describes a future in which genetically manufactured beings called replicants are used for dangerous and degrading work in Earth's "off-world colonies." Built by the Tyrell Corporation to be 'more human than human', the Nexus-6 generation appear to be physically identical to humans — although they have superior strength and agility — while lacking comparable emotional responses and empathy. Replicants became illegal on Earth after a bloody mutiny. Specialist police units — blade runners — hunt down and "retire" (i.e., kill) escaped replicants on Earth. With a particularly brutal and cunning group of replicants on the loose in Los Angeles, a reluctant Rick Deckard is recalled from semi-retirement for some of "the old blade runner magic."

Blade Runner initially received polarized reviews from film critics, some who were confused and disappointed it didn't have the pacing expected from an action film, while others appreciated its thematic complexity. The film performed poorly in North American theaters while achieving success overseas. Despite poor early ticket sales, it was adored by fans and academia and quickly attained cult classic status. It gained such great popularity as a video rental, partly due to the film's ability to reward repeated viewing, that it was chosen to be one of the first DVDs to be released. Blade Runner has been widely hailed as a modern classic for its immersive special effects and prefiguring important themes and concerns of the 21st century. It has been praised as being one of the most influential films of all time because of its detailed and original setting, serving as a postmodern visual benchmark with its realistic depiction of a decayed future. Blade Runner brought author Philip K. Dick to the attention of Hollywood, and numerous films have since been based on his literature.

Plot

"Early in the 21st Century, THE TYRELL CORPORATION advanced Robot evolution into the NEXUS phase – a being virtually identical to a human – known as a Replicant.
The NEXUS 6 Replicants were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them.
Replicants were used Off-world as slave labor, in the hazardous exploration and colonization of other planets.
After a bloody mutiny by a NEXUS 6 combat team in an Off-world colony, Replicants were declared illegal on earth – under penalty of death.
Special police squads – BLADE RUNNER UNITS – had orders to shoot to kill, upon detection, any trespassing Replicant.
This was not called execution. It was called retirement."^[src]

In Los Angeles, November 2019, Rick Deckard is called out of retirement when an overconfident Blade Runner — Holden — is shot during a Voight-Kampff test by Leon, an escaped replicant.

BladeRunner Sun — Tyrell dimming the sun.

A reluctant Deckard is brought to his old boss Bryant, who informs him that the recent escape of Nexus-6 replicants is the worst yet. Bryant briefs Deckard on the replicants: A total of six replicants have escaped on Earth. Roy Batty is a commando, Leon a manual laborer, Zhora an assassin, and Pris a 'basic pleasure model.' Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe against their developing unstable emotions. Deckard is teamed up with Gaff and sent to the Tyrell Corporation to ensure that the Voight-Kampff test works on Nexus-6 models. While there Deckard discovers that Tyrell's young secretary Rachael is an experimental replicant with implanted memories which provide a cushion for her emotions.

Deckard and Gaff then search Leon's apartment, where they find several clues including a stack of old photos and scales belonging to an unknown animal. Meanwhile, Roy and Leon force Hannibal Chew, an eye designer, to direct them to J.F. Sebastian who can lead them to Tyrell. Later, Rachael visits Deckard at his apartment to prove her humanity to him, but leaves in tears upon hearing that her memories are artificial. Pris meets up with Sebastian and takes advantage of his kind nature to gain access to his apartment.

Clues from Leon's apartment lead Deckard to Taffey Lewis' bar where he unsuccessfully questions Lewis. Deckard calls Rachael to ask her to join him, but she hangs up on him. When Deckard recognizes Zhora on stage, he pretends to be a representative from a dancer's union to gain access to Zhora in her dressing room. Zhora plays along until she suddenly attacks Deckard and escapes. Zhora makes a desperate attempt to get away from Deckard into the crowded streets, yet Deckard tracks her down and "retires" her. After the shooting, Gaff and Bryant show up and inform Deckard that Rachael will also need to be "retired". Deckard spots Rachael in the distance, though as he follows her he is suddenly disarmed by Leon who then proceeds to beat him. Rachael shoots Leon with Deckard's gun, saving Deckard's life. They go back to Deckard's apartment where Deckard tells her he won't hunt her down. They share an intimate moment, though it turns from tender to violent when Rachael rebukes Deckard's advances, and he then forces her to kiss him.

Meanwhile, Roy arrives at Sebastian's apartment and with Pris' charms they convince Sebastian to help Roy meet Tyrell. Once in Tyrell's bedroom Roy demands an extension to his lifespan and requests absolution for his sins; upon receiving neither he kills Tyrell and Sebastian.

BladeRunner Bradbury Interior — The Bradbury Apartments

Deckard is sent to Sebastian's apartment after the murders and is ambushed by Pris, though he manages to shoot her after a struggle. Roy returns moments later, trapping Deckard in the apartment and playfully hunting him throughout the dilapidated Bradbury Apartments, eventually forcing him to the roof. Deckard attempts a jump to another building and ends up desperately hanging from a beam. Roy easily makes the jump and stares down at Deckard — just as Deckard loses his grip Roy grabs his wrist and saves his life. Roy is deteriorating quickly (his 4-year lifespan is up) as he sits down in the rain and eloquently marvels at the highlights of his life and concludes, "All those moments... will be lost... in time... like... tears in rain. Time... to die." Roy quietly dies as Deckard looks on in silence. Gaff arrives in a spinner shortly afterward and, as he's leaving, cryptically shouts, "It's too bad she won't live, but then again, who does?"

Deckard returns to his apartment and cautiously enters when he sees the door is ajar. He finds Rachael alive and as they leave Deckard comes across an origami calling card left by Gaff; he has allowed them to escape, and they depart toward an uncertain future together.

Cast

Uncredited

Judith Burnett as Ming-Fa
Leo Gorcey, Jr. as Louie–Bartender #2
Charles Knapp as Bartender #1
Thomas Hutchinson as Bartender #3
Kelly Hine as Show Girl
Sharon Hesky as Barfly #1
Rose Mascari as Barfly #2
Alexis (Susan) Rhee as Geisha #1 (Billboard)
Hiroko Kimuri as Geisha #2
Kai Wong as Chinese Man #1
Kit Wong as Chinese Man #2
Hiro Okazaki as Policeman #1
Steve Pope as Policeman #2
Robert Reiter as Policeman #3

Production

Philip K. Dick died before its release, but saw a forty-minute special effects test reel, about which he was very complimentary. The screenplay, by Hampton Fancher, attracted producer Michael Deeley (who secured several financing sources, later problematic when one delayed the release of the film's Special Edition) who convinced director Ridley Scott to create his first American film; Scott was unhappy with the script and had David Peoples rewrite it.

The title derives from Alan E. Nourse's novel The Bladerunner (1974), whose protagonist smuggles black-market surgical instruments. William S. Burroughs' wrote Bladerunner, A Movie a cinema treatment. Aside from the title, neither Nourse's novel nor Burroughs's treatment are relevant to the film. Screenwriter Fancher happened upon a copy of Bladerunner, A Movie whilst Scott searched for a commercial title for his film; Scott liked the title, obtained rights to it, but not to the novel; (Note: some editions of Burroughs' treatment-novel use the two-word spacing: Blade Runner.)

Blade Runner owes much to Fritz Lang's 1927 film Metropolis. Scott credits Edward Hopper's painting Nighthawks and the proto-cyberpunk short story comic "The Long Tomorrow" (by Dan O'Bannon, art by Moebius) as stylistic mood sources. Scott hired Syd Mead as conceptual artist, both were influenced by the French science fiction comic magazine Métal Hurlant (Heavy Metal), to which Moebius contributed. Moebius was offered pre-production of Blade Runner, he declined, to work on René Laloux's animated film [es Maîtres du temps — a decision Moebius later regretted. Lawrence G. Paull (production designer) and David Snyder (art director) realised Scott's and Mead's sketches. Jim Burns briefly worked designing the Spinner hovercars; Douglas Trumbull and Richard Yuricich supervised the special effects for the film.

Prior to principal photography, Paul M. Sammon was commissioned by Cinefantastique magazine to do a special article on the making of Blade Runner. His detailed observations and research later became the book Future Noir: The Making of Blade Runner, which is also called the Blade Runner Bible by the cult following of the film. The book outlines not only the evolution of Blade Runner but the politics and difficulties on-set; particularly on Scott's expectations (coming from Britain) of his first American crew. Also, his directing style with actors created friction with the cast and likely contributed to Ford's subsequent reluctance to discuss the film.

Themes

_{Main article: Themes in Blade Runner}

Despite the initial appearance of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration (removed in later versions), and the questionable moral outlook of the Hero — extended here to include even the humanity of the hero, as well as the usual dark and shadowy cinematography. It is one of the most literate science fiction films, both thematically — enfolding the philosophy of religion and moral implications of the increasing human mastery of genetic engineering, within the context of classical Greek drama and its notions of hubris — and linguistically, drawing on the poetry of William Blake and the Bible. Blade Runner also features a chess game based on the famous Immortal Game of 1851. (The king and queen are interposed on Tyrell's side, a position which a grandmaster would never attempt.)

BladeRunner Bradbury — Dark sprawl overlooked by glimmering towers.

The world of Blade Runner depicts a future whose fictional distance from present reality has grown sharply smaller as 2019 approaches. The film delves into the future implications of technology on the environment and society by reaching into the past using literature, religious symbolism, classical dramatic themes and film noir. This tension between past, present and future is apparent in the retrofitted future of Blade Runner, which is high-tech and gleaming in places but elsewhere decayed and old.

A high level of paranoia is present throughout the film with the visual manifestation of corporate power, omnipresent police, probing lights; and in the power over the individual represented particularly by genetic programming of the replicants. Control over the environment is seen on a large scale but also with how animals are created as mere commodities. This oppressive backdrop clarifies why many people are going to the off-world colonies, which clearly parallels the migration to the Americas. The popular 1980s prediction of America being economically surpassed by Japan is reflected in the domination of Japanese culture and advertising in LA 2019. The film also makes extensive use of eyes and manipulated images to call into question reality and our ability to perceive it.

BladeRunner Deckard and Rachael — Deckard and Rachael.

This provides an atmosphere of uncertainty for Blade Runner's central theme of examining humanity. In order to discover replicants an empathy test is used with a number of questions focused on the treatment of animals; making it the essential indicator of someone's "humanity". The replicants are juxtaposed with human characters who are unempathetic, and while the replicants show passion and concern for one another the mass of humanity on the streets is cold and impersonal. The film goes so far as to put in doubt the nature of Deckard and forces the audience to reevaluate what it means to be human.

Reception

Awards and nominations

Blade Runner has both won, and been nominated for, many awards. It was nominated for the following awards:

BAFTA (1983)
- Best Film Editing – Terry Rawlings
- Best Make Up Artist – Marvin G. Westmore
- Best Score – Vangelis
- Best Sound – Peter Pennell, Bud Alper, Graham V. Hartstone, Gerry Humphreys
- Best Special Visual Effects – Douglas Trumbull, Richard Yuricich, David Dryer

British Society of Cinematographers: Best Cinematography Award (1982) – Jordan Cronenweth

Fantasporto
- International Fantasy Film Award (1983) - Best Film – Ridley Scott
- International Fantasy Film Award (1993) - Best Film – Ridley Scott (Director's cut)

Golden Globe: Best Original Score (1983) - Motion Picture – Vangelis

Oscar (1983)
- Best Art Direction-Set Decoration – Lawrence G. Paull, David L. Snyder, Linda DeScenna
- Best Effects, Visual Effects – Douglas Trumbull, Richard Yuricich, David Dryer

Saturn Award (1983)
- Best Science Fiction Film
- Best Director – Ridley Scott
- Best Special Effects – Douglas Trumbull, Richard Yuricich
- Best Supporting Actor – Rutger Hauer
- Best Genre Video Release (1994) – Director's cut

For more, see Awards Won.

Influence

RoyBatty — Roy Batty (Rutger Hauer) with a dove.

Initially avoided by North American audiences, Blade Runner was popular internationally and has become a cult classic. The film's popularity and cult status has made it popular to reference in other media. The television show Futurama has made multiple references to Blade Runner, and the shows Cutting It and Stargate SG-1 have used quotes from the film. Actor William Sanderson, who played Sebastian, voiced a similar character in the cartoon series Batman: The Animated Series. In the action film The 6th Day, a virtual psychologist says, "You seem to be avoiding talking about your parents. Imagine, two turtles are walking through the desert..."

The film is often thought to have inspired William Gibson's Neuromancer.Template:Ref Gibson has said in interviews that he was already writing Neuromancer when Blade Runner was released, and was actually inspired by the implied background of the film Alien. The film arguably marks the introduction of the cyberpunk genre into popular culture. Blade Runner continues to reflect modern trends and concerns, and an increasing number consider it one of the greatest science fiction films of all time.Template:RefTemplate:Ref The film was selected for preservation in the United States National Film Registry in 1993 and is frequently used in university courses. Its memorable quotations and soundtrack have made it the most musically sampled film of the 20th century.

"Ridley Scott's film remains the defining vision of futuristic science fiction." – Steve Biodrowski

Blade Runner also served to influence the cyberpunk role-playing game, Shadowrun, the seminal computer game System Shock and the Syndicate games.

Iron Maidens' album "Somewhere in Time" features artwork influenced by the city scenes in the movie.

The song "More Human Than Human" by White Zombie, found on their 1995 album "Astro Creep:2000" is a direct reference to the film, which was a favorite of Rob Zombie's at the time. The song's title as the tagline of the Tyrell Corporation is obvious. Near the end of the song, the lyrics "I am the nexus one, I want more life, fucker, I ain't done" are inspired by Roy Batty's conversation with Eldon Tyrell.

The Fear Factory album Demanufacture features a song entitled "Replica" which was influenced by the movie.

Versions

For more information, such as differences between the versions, see Versions of Blade Runner.

Seven versions of the film exist:

The original 1982 international cut, which included more graphic violence than the U.S. theatrical release, and which was released on VHS and on Criterion Collection Laserdisc.
The U.S. theatrical version, also called the domestic cut.
The San Diego sneak preview version, which is nearly identical to the domestic cut, but containing two additional scenes.
The U.S. broadcast version, edited for network television.
A workprint version, shown only as an audience test preview and occasionally at film festivals; This version was distributed in 1991, as a Director's Cut without Scott's approval (and was later included on the 2012 30th Anniversary Blu-ray set).
The Ridley Scott-approved 1992 Director's Cut, prompted by the unauthorized 1991 release.
A fifth version, Blade Runner: The Final Cut, was shown in theaters in Los Angeles and New York in October, 2007. A 3-DVD set and a 5-disc Blu-ray set followed in 2007. It was then re-released on Blu-ray for the film's 30th anniversary in 2012.

Of the seven, five are widely available: the domestic cut, international cut, workprint, Director's Cut, and Final Cut.

Music

_{Main article: Blade Runner (soundtrack)}

Vangelis, fresh off of his wikipedia:Academy Award winning score from Chariots of Fire, composed and performed the music on his synthesizers. The musicscape of the 2019 was created in Vangelis' "space" mode of new age music, as heard on such albums of his as Heaven and Hell. He also made use of various chimes and the vocals of collaborator Demis Roussos. Ridley Scott also used "Memories of Green" from Vangelis' album See You Later (an orchestral version of which Scott would later use in his film Someone To Watch Over Me).

"Both emotional and unsettling, the Blade Runner score plays off conflict (discord versus harmony, light against dark) for a rich, textured tapestry of sound." – musicoutfitter.com

Despite the promise of a soundtrack album from Polydor Records in the end titles of the film, the release of the original soundtrack recording was delayed for over a decade. There are two official releases of the music from Blade Runner. In light of the lack of a release of an album, The New American Orchestra recorded an orchestral adaptation in 1982 which bore little resemblance to the original. Some of the film tracks would in 1989 surface on the compilation Themes, but it wasn't until the 1992 release of the Director's Cut version would a substantial amount of the film's score see the light of day. However, while most of the tracks on the album are from the film, there were a few that Vangelis composed but were ultimately not used and some new pieces. Many do not consider this to be a satisfying representation of the score.

These delays and poor reproductions led to the production of many bootleg recordings over the years. A bootleg tape surfaced in 1982 at science fiction conventions and became popular given the delay of an official release of the original recordings, and in 1993 "Off World Music, Ltd." created a bootleg CD that would prove more comprehensive than Vangelis' official CD in 1994. A disc from "Gongo Records" features most of the same material, but with slightly better sound quality. In 2003, two other bootlegs surfaced, the "Esper Edition," closely preceded by "Los Angeles - November 2019." The double disc "Esper Edition" combined tracks from the official release, the Gongo boot and the film itself. Finally "2019" provided a single disc compilation almost wholly consisting of ambient sound from the film, padded out with some sounds from the Westwood game "Blade Runner." The Gongo release is considered the best presentation of the music, while Los Angeles - November 2019 and the Esper Edition are excellent mementos of the film.

"Dreamy, evocative, beautiful and essential." – moviegrooves.com

Novel

Template:See also The original screenplay by Hampton Fancher was based loosely on Philip K. Dick's Do Androids Dream of Electric Sheep?, which he optioned in 1980 after an unsuccessful previous attempt. However, Fancher's script focused more on environmental issues and less on issues of humanity and faith, which weighed heavily in the novel. When Ridley Scott became involved with the film, he wanted changes to the script made, and eventually hired David Peoples to perform the re-writes after Fancher refused. The film's title also changed several times during the writing process, it was to be called Dangerous Days in Fancher's last draft before eventually taking the name Blade Runner, actually borrowed (with permission) from a William S. Burroughs science fiction novel titled Blade Runner: A Movie.

As a result of Fancher's divergence from the novel, numerous re-writes before and throughout shooting the film and Ridley Scott never having entirely read the novel it was based on, the film diverged significantly from its original inspiration. The changes have led many critics and fans to consider them as independent works of fiction; despite the fact Do Androids Dream of Electric Sheep? was reprinted for a time with the title Blade Runner to help promote sales. Some of the themes in the novel that were minimized or entirely removed include fertility/sterility of the population, religion, mass media, Deckard's uncertainty that he is human, real versus synthetic pets, and emotions.

Sequels

Three official and authorized Blade Runner novels have been written by Philip K. Dick's friend K. W. Jeter that continue the story of Rick Deckard and attempt to resolve many of the differences between Blade Runner and Do Androids Dream of Electric Sheep?. The novel Blade Runner 2 contains numerous inconsistencies with the film, however, including the resurrection of a dead character and a complete reworking of the nature of another. The final result is more of an alternate universe than a direct sequel.

Blade Runner 2: The Edge of Human (1995)
Blade Runner 3: Replicant Night (1996)
Blade Runner 4: Eye and Talon (2000)

David Peoples, who co-wrote Blade Runner and wrote the 1998 film Soldier, has said that Soldier is intended to be a "sidequel" to Blade Runner. Soldier takes place in the same universe, and the spinners used in Blade Runner are also used in Soldier. However, Soldier is an unofficial sidequel, as it was never formally approved by the Blade Runner partnership, who own the rights to the elements of Blade Runner that appear in Soldier, and to that overall universe.

Though not an official sequel to Blade Runner, many fans have noted the similarity of the 1999 TV series Total Recall 2070 to the Blade Runner universe. Many consider the series a sequel to, or at least set in, the same universe as Blade Runner. Some truth actually lies in this assumption. Total Recall 2070 was based on two works by Phillip K. Dick: the short story, We Can Remember It for You Wholesale (on which the film Total Recall is based), and the novel Do Androids Dream of Electric Sheep?, on which Blade Runner is based.

A sequel to Blade Runner, directed by Denis Villeneuve, entitled Blade Runner 2049 was released on October 6, 2017. Harrison Ford and Edward James Olmos reprise their roles from the first film.

Games and comics

BladeRunner PC Game (Front Cover) — PC game cover

There are two computer games based on the film, one for Commodore 64 and ZX Spectrum by CRL Group PLC (1985) based on the music by Vangelis (due to licensing issues) and another action adventure PC game by Westwood Studios (1997). The latter game featured new characters and branching storylines based on the Blade Runner world, coupled with voice work from some of the original cast from the film. A prototype board game was also created in California (1982) that had game play similar to Scotland Yard.

The cult computer game Snatcher was heavily influenced by Blade Runner, so much so that websites exist detailing the numerous similarities between the two.

Archie Goodwin scripted the comic book interpretation, A Marvel Comics Super Special: Blade Runner, published September, 1982. The Jim Steranko cover leads into a 45-page adaptation illustrated by the team of Al Williamson, Carlos Garzon, Dan Green and Ralph Reese. (This adaptation includes one possible explanation of the title's significance in story context: the narrative line, "Blade runner. You're always movin' on the edge.") Also there was a parody comic of Blade Runner called "Blade Bummer" by Crazy comics.

Trivia

Dustin Hoffman was the original choice for the lead, although he was asked why they asked him to play a "macho role". Hoffman was interested in the project, but wanted to change Deckard's character, so the producers decided to make Harrison Ford.
Deborah Harry was the first choice for Pris.
Daryl Hannah could not perform her own stunt movements in the scene where Pris attacked Deckard, so she was rented a gymnast. But she practiced with Scott's scene for so long that she was exhausted to do anything when it was time to shoot, so she was hired by a male gymnast
When Gaff talks to Deckard in a Japanese restaurant he speaks a part of the Hungarian language. Speak: "Azonnal kövessen engem!" ("Follow Me Now!") and "Lófasz", which means something very rudely (literally "horses di..."). Later, he said, "Nehogy mar, te vagy a Blade Runner!", which translates to "Impossible, you're the Blade Runner!". Then he starts speaking in another language. Allegedly to the viewers in Hungary that an hilarious sequence.
In a sequence in which Deckard and Gaff are approaching a police station, Millenium Falcon's model from the "Star Wars" series is masked as a building and can be seen on the left side of the screen. And the model of a spacecraft from the movie "Dark Star" can be found masked as a building.
Rachael, Holden and Pris smokes "Boyrd" cigarettes, originating in France.
At one time every replicator has a red spark in his eyes (Rachael in Deckard's Apartment, Pris in Sebastian). And Deckard has the same light when he talks to Rachael in his apartment.
Rutger Hauer partially improvized his final speech.
In the original scenario, six replicants were mentioned. The sixth was called "Mary", but it was kicked out of budget constraints and time schedules. This resulted in illogicalities because Bryant's character reminded Deckard that six replicants had escaped, but one was killed by an "electrical fence", which would mean that there were five of them. But in the movie, only four of them are shown. So some have developed the theory that Deckard is the fifth replicant.
Filming was allegedly so tiring that the members of the team were hijacked by Ridley Scott. Even the shooting of Harrison Ford remained in bad memory. They even gave the movie a mocking name "Blood Runner".
This was the first film to be released in the "director's version" by the original director's vision.
In 2000 Ridley Scott stated that Deckard was a replicant. Ford then angered and said "We agreed that he definitely was not replicant".
2004. "The Guardian" has conducted a study with 60 scientists nominated by Blade Runner as the best SF film.

Video

Blade Runner 30th Anniversary Trailer

Blade Runner 30th Anniversary AFI Trailer

Blade Runner 30th Anniversary HD SD Trailer

1982 - Commercial - Blade Runner w Harrison Ford

Blade Runner 1982 TV Spot

Blade Runner (1982) Trailer

"Blade Runner (1982)" Teaser Trailer

References

Off-world: The Blade Runner Wiki has 172 images related to Blade Runner.

Template:Note Bukatman, Scott. (1997) Blade Runner: BFI Modern Classics. ISBN 0851706231
Template:Note Sammon, Paul. (1996) Future Noir: the Making of Blade Runner. ISBN 0061053147
Template:Note Giraud, Jean. (1988) The Long Tomorrow & Other SF Stories. ISBN 0871352818
Template:Note Jenkins, Mary. (1997) The Dystopian World of Blade Runner: An Ecofeminist Perspective
Template:Note Kerman, Judith. (1991) Retrofitting Blade Runner: Issues in Ridley Scott's "Blade Runner" and Philip K. Dick's "Do Android's Dream of Electric Sheep?" ISBN 0879725109
Template:Note Sammon, Paul. (1996)
Template:Note Sammon, Paul. (1996)
Template:Note Hicks, Chris. (1992) DeseretNews.com – Review of Blade Runner
Template:Note Flynn, John. (2003) Towson.edu – Blade Runner Retrospective
Template:Note Ebert, Roger. (1992) RogerEbert.com – Review of Blade Runner
Template:Note Rutledge, Sean M. (2000) CandidCritic.com – Review of Blade Runner
Template:Note Brinkley, Aaron. Gunn, R. (2002) The Blade Runner / Star Wars References
Template:Note Mariman, Lukas. (2000) BR FAQ: Influence
Template:Note Jha, Alok. Rogers, S. Rutherford, A. (2004) Guardian.co.uk – Our expert panel votes for the top 10 sci-fi films
Template:Note Netrunner. (2005) BRmovie.com – Top 100s and Reviews
Template:Note Cigéhn, Peter. (2004) Sloth.org – The Top 1118 Sample Sources
Template:Note Sammon, Paul. (1996) Page 298
Template:Note IMDB. (2005) Trivia for Blade Runner
Template:Note KoKee. (2001) Blade Runner & Snatcher
Template:Note Kupperberg, Paul & Camp, Bob. (1982) BladeZone.com – Crazy: Blade Runner Parody
Template:Note Curse at the Blade Runner FAQ.

External links

2019: Off-World – One of the first Blade Runner fan sites
BladeZone – The Online Blade Runner Fan Club & Museum
BRMovie.com – alt.fan.blade-runner site
- Special Edition News Page
- Encyclopedia Blade Runner
Los Angeles, 2019
BR-Insight – Analysis of the film
Filmsite.org – Descriptive plot review
BBC: Blade Runner tops scientist poll
July 24, 1980 draft script
February 23, 1981 shooting script
New Berlin
Movie-monsters.co.uk – The best sci-fi film ever?

This page uses content from the English Wikipedia. The original content was at Blade Runner. The list of authors can be seen in the page history. As with the Off-world: The Blade Runner Wiki, the content of Wikipedia is available under the GNU Free Documentation License.

@@ Line 1: / Line 1: @@
-{{Infobox_film|movie_name = Blade Runner
+{{DISPLAYTITLE:''Blade Runner''}}
+{{Real-world}}
-|image = [[Image:Blade Runner poster.jpg|250px]]
+{{Infobox film|movie_name = Blade Runner
+|image = Blade Runner poster.jpg
 |director = [[Ridley Scott]]
 |producer = [[Michael Deeley]]
@@ Line 7: / Line 9: @@
 |starring = [[Harrison Ford]]<br>[[Rutger Hauer]]<br>[[Sean Young]]<br>[[Edward James Olmos]]<br>[[Daryl Hannah]]
 |music = [[Vangelis]]
-|cinematography = [[Wikipedia:Jordan Cronenweth|Jordan Cronenweth]]
+|cinematography = [[Jordan Cronenweth]]
-|edited = [[Wikipedia:Terry Rawlings|Terry Rawlings]]<br>Marsha Nakashima
+|edited = [[Terry Rawlings]]<br>[[Marsha Nakashima]]
 |production companies = [[The Ladd Company]]<br>[[Shaw Brothers]]<br>Blade Runner Partnership
 |distributor = [[Warner Bros.]]
-|release date = June 25, 1982
+|release date = June 25, [[1982 (production)|1982]]
-|runtime = 117 min. ''(International Cut)''<br>115 min. ''(Director's Cut)''
+|runtime = 117 min. (International Cut)<br>115 min. (Director's Cut)
-|country = United States
+|country = United States<br />Hong Kong
 |movie_language = English
 |budget = $28 million
 |box office = $33.8 million
+|imdb_id = 0083658
 }}
+'''Blade Runner''' is a [[1982 (production)|1982]] neo-noir [[Wikipedia:Science fiction|science fiction]] film directed by [[Ridley Scott]], depicting a dystopic [[Los Angeles]] in November [[2019]].
+The [[Wikipedia:Screenplay|screenplay]], which was written by [[Hampton Fancher]] and [[David Peoples]], is loosely based on the novel ''[[Do Androids Dream of Electric Sheep?]]'' by [[Philip K. Dick]]. The film itself features: [[Harrison Ford]], [[Rutger Hauer]], [[Sean Young]], [[Edward James Olmos]], [[M. Emmet Walsh|M Emmet Walsh]], [[Daryl Hannah]], [[William Sanderson]], [[Brion James]], [[Joe Turkel]] and [[Joanna Cassidy]]; lead designer: [[Syd Mead]], soundtrack composer [[Vangelis]].
-'''Blade Runner''' is a 1982 [[Wikipedia:Science fiction|science fiction]] film directed by [[Ridley Scott]], depicting a dystopic [[Los Angeles]] in November 2019.
+The film describes a future in which genetically manufactured beings called [[replicant]]s are used for dangerous and degrading work in [[Earth]]'s "[[Off-world Colonies|off-world colonies]]." Built by the [[Tyrell Corporation]] to be 'more human than human', the ''[[Nexus-6]]'' generation appear to be physically identical to humans — although they have superior strength and agility — while lacking comparable emotional responses and empathy. Replicants became illegal on Earth after a bloody mutiny. Specialist police units — [[Blade Runner (police)|blade runners]] — hunt down and "retire" (i.e., kill) escaped replicants on Earth. With a particularly brutal and cunning group of replicants on the loose in Los Angeles, a reluctant [[Rick Deckard]] is recalled from semi-retirement for some of "the old blade runner magic."
-The [[Wikipedia:Screenplay|screenplay]], which was written by [[Hampton Fancher]] and [[David Peoples]], is loosely based on the novel ''[[Do Androids Dream of Electric Sheep?]]'' by [[Philip K Dick]]. The film itself features: [[Harrison Ford]], [[Rutger Hauer]], [[Sean Young]], [[Edward James Olmos]], [[M. Emmet Walsh|M Emmet Walsh]], [[Daryl Hannah]], [[William Sanderson]], [[Brion James]], [[Joe Turkel]] and [[Joanna Cassidy]]; lead designer: [[Syd Mead]], soundtrack composer [[Vangelis]].
+''Blade Runner'' initially received polarized reviews from film critics, some who were confused and disappointed it didn't have the pacing expected from an action film, while others appreciated its thematic complexity. The film performed poorly in North American theaters while achieving success overseas. Despite poor early ticket sales, it was adored by fans and academia and quickly attained cult classic status. It gained such great popularity as a video rental, partly due to the film's ability to reward repeated viewing, that it was chosen to be one of the first DVDs to be released. ''Blade Runner'' has been widely hailed as a modern classic for its immersive special effects and prefiguring important themes and concerns of the 21st century. It has been praised as being one of the most influential films of all time because of its detailed and original setting, serving as a postmodern visual benchmark with its realistic depiction of a decayed future. ''Blade Runner'' brought author [[Philip K. Dick]] to the attention of Hollywood, and numerous films have since been based on his literature.
-The film describes a future in which genetically manufactured beings called [[replicant]]s are used for dangerous and degrading work in [[Earth]]'s "[[off-world colonies]]." Built by the [[Tyrell Corporation]] to be 'more human than human', the ''[[Nexus-6]]'' generation appear to be physically identical to humans — although they have superior strength and agility — while lacking comparable emotional responses and empathy. Replicants became illegal on Earth after a bloody mutiny. Specialist police units — [[Blade Runners|blade runners]] — hunt down and "retire" (i.e., kill) escaped replicants on Earth. With a particularly brutal and cunning group of replicants on the loose in Los Angeles, a reluctant [[Rick Deckard]] is recalled from semi-retirement for some of "the old blade runner magic."
+==Plot==
-''Blade Runner'' initially received polarized reviews from film critics, some who were confused and disappointed it didn't have the pacing expected from an action film, while others appreciated its thematic complexity. The film perfomed poorly in North American theaters while achieving success overseas. Despite poor early ticket sales, it was adored by fans and academia and quickly attained cult classic status. It gained such great popularity as a video rental, partly due to the film's ability to reward repeated viewing, that it was chosen to be one of the first DVDs to be released. ''Blade Runner'' has been widely hailed as a modern classic for its immersive special effects and prefiguring important themes and concerns of the 21st century. It has been praised as being one of the most influential films of all time because of its detailed and original setting, serving as a postmodern visual benchmark with its realistic depiction of a decayed future. ''Blade Runner'' brought author [[Philip K Dick]] to the attention of Hollywood, and numerous films have since been based on his literature.
+{{Quote|Early in the 21st Century, <small>THE TYRELL CORPORATION</small> advanced Robot evolution into the <small>NEXUS</small> phase &ndash; a being virtually identical to a human &ndash; known as a ''Replicant''.<br>The <small>NEXUS 6</small> ''Replicants'' were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them.<br>''Replicants'' were used Off-world as slave labor, in the hazardous exploration and colonization of other planets.<br>After a bloody mutiny by a <small>NEXUS 6</small> combat team in an Off-world colony, ''Replicants'' were declared illegal on earth &ndash; under penalty of death.<br>Special police squads &ndash; <small>BLADE RUNNER UNITS</small> &ndash; had orders to shoot to kill, upon detection, any trespassing ''Replicant''.<br>This was not called execution. It was called retirement.||Blade Runner}}
+In [[Los Angeles]], November [[2019]], [[Rick Deckard]] is called out of retirement when an overconfident Blade Runner — [[Dave Holden|Holden]] — is shot during a [[Voight-Kampff test]] by [[Leon Kowalski|Leon]], an escaped replicant.
+[[Image:BladeRunner Sun.jpg|thumb|left|275px|Tyrell dimming the sun.]]
-==Production==
+A reluctant Deckard is brought to his old boss [[Harry Bryant|Bryant]], who informs him that the recent escape of Nexus-6 replicants is the worst yet. Bryant briefs Deckard on the replicants: A total of [[Six renegade replicants|six replicants]] have escaped on Earth. [[Roy Batty]] is a commando, Leon a manual laborer, [[Zhora]] an assassin, and [[Pris]] a 'basic pleasure model.' Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe against their developing unstable emotions. Deckard is teamed up with [[Gaff]] and sent to the [[Tyrell Corporation]] to ensure that the Voight-Kampff test works on Nexus-6 models. While there Deckard discovers that [[Eldon Tyrell|Tyrell]]'s young secretary [[Rachael]] is an experimental replicant with implanted memories which provide a cushion for her emotions.
-[[Philip K. Dick]] died before its release, yet did see a forty-minute test reel. The screenplay, by [[Hampton Fancher]], attracted producer [[Michael Deeley]] (who secured several financing sources, later problematic when one delayed the release of the film's Special Edition) who convinced director [[Ridley Scott]] to create his first American film; Scott was unhappy with the script and had [[David Peoples]] rewrite it.
+Deckard and Gaff then search Leon's apartment, where they find several clues including a stack of old photos and scales belonging to an unknown animal. Meanwhile, Roy and Leon force [[Hannibal Chew]], an eye designer, to direct them to [[J.F. Sebastian]] who can lead them to Tyrell. Later, Rachael visits Deckard at his apartment to prove her humanity to him, but leaves in tears upon hearing that her memories are artificial. Pris meets up with Sebastian and takes advantage of his kind nature to gain access to his apartment.
-The title derives from Alan E. Nourse's novel ''The Bladerunner'' (1974), whose protagonist smuggles black-market surgical instruments. William S. Burroughs' wrote ''Bladerunner, A Movie'' a cinema treatment. Aside from the title, neither Nourse's novel nor Burroughs's treatment are relevant to the film. Screenwriter Fancher happened upon a copy of ''Bladerunner, A Movie'' whilst Scott searched for a commercial title for his film; Scott liked the title, obtained rights to it, but not to the novel; (Note: some editions of Burroughs' treatment-novel use the two-word spacing: ''Blade Runner''.)
+Clues from Leon's apartment lead Deckard to [[Taffey Lewis]]' bar where he unsuccessfully questions Lewis. Deckard calls Rachael to ask her to join him, but she hangs up on him. When Deckard recognizes Zhora on stage, he pretends to be a representative from a dancer's union to gain access to Zhora in her dressing room. Zhora plays along until she suddenly attacks Deckard and escapes. Zhora makes a desperate attempt to get away from Deckard into the crowded streets, yet Deckard tracks her down and "retires" her. After the shooting, Gaff and Bryant show up and inform Deckard that Rachael will also need to be "retired". Deckard spots Rachael in the distance, though as he follows her he is suddenly disarmed by Leon who then proceeds to beat him. Rachael shoots Leon with Deckard's gun, saving Deckard's life. They go back to Deckard's apartment where Deckard tells her he won't hunt her down. They share an intimate moment, though it turns from tender to violent when Rachael rebukes Deckard's advances, and he then forces her to kiss him.
-''Blade Runner'' owes much to Fritz Lang's 1927 film ''Metropolis''. Scott credits Edward Hopper's painting ''Nighthawks'' and the proto-cyberpunk short story comic "The Long Tomorrow" (by Dan O'Bannon, art by Moebius) as stylistic mood sources. Scott hired [[Syd Mead]] as conceptual artist, both were influenced by the French science fiction comic magazine ''Métal Hurlant'' (Heavy Metal), to which Moebius contributed. Moebius was offered pre-production of ''Blade Runner'', he declined, to work on René Laloux's animated film ''[es Maîtres du temps'' — a decision Moebius later regretted. [[Lawrence G. Paull]] (production designer) and [[David Snyder]] (art director) realised Scott's and Mead's sketches. [[Jim Burns]] briefly worked designing the [[Spinner]] hovercars; [[Douglas Trumbull]] and [[Richard Yuricich]] supervised the special effects for the film.
-[[Image:BladeRunner Spinner Billboard.jpg|thumb|right|275px|A police [[spinner]] flies alongside an advertising-laden skyscraper in LA.]]
+Meanwhile, Roy arrives at Sebastian's apartment and with Pris' charms they convince Sebastian to help Roy meet Tyrell. Once in Tyrell's bedroom Roy demands an extension to his lifespan and requests absolution for his sins; upon receiving neither he kills Tyrell and Sebastian.
-Prior to principal photography, [[Paul M. Sammon]] was commissioned by ''Cinefantastique'' magazine to do a special article on the making of ''Blade Runner''. His detailed observations and research later became the book ''[[Future Noir: The Making of Blade Runner]]'', which is also called the ''Blade Runner Bible'' by the cult following of the film. The book outlines not only the evolution of ''Blade Runner'' but the politics and difficulties on-set; particularly on Scott's expectations (coming from Britain) of his first American crew. Also, his directing style with actors created friction with the cast and likely contributed to Ford's subsequent reluctance to discuss the film.
+[[Image:BladeRunner Bradbury Interior.jpg|thumb|right|275px|The [[Bradbury Apartments]]]]
+Deckard is sent to Sebastian's apartment after the murders and is ambushed by Pris, though he manages to shoot her after a struggle. Roy returns moments later, trapping Deckard in the apartment and playfully hunting him throughout the dilapidated [[Bradbury Apartments]], eventually forcing him to the roof. Deckard attempts a jump to another building and ends up desperately hanging from a beam. Roy easily makes the jump and stares down at Deckard — just as Deckard loses his grip Roy grabs his wrist and saves his life. Roy is deteriorating quickly (his 4-year lifespan is up) as he sits down in the rain and eloquently marvels at the highlights of his life and concludes, "All those moments... will be lost... in time... like... tears in rain. Time... to die." Roy quietly dies as Deckard looks on in silence. Gaff arrives in a [[spinner]] shortly afterward and, as he's leaving, cryptically shouts, "It's too bad she won't live, but then again, who does?"
+Deckard returns to his apartment and cautiously enters when he sees the door is ajar. He finds Rachael alive and as they leave Deckard comes across an origami calling card left by Gaff; he has allowed them to escape, and they depart toward an uncertain future together.
-== Synopsis ==
-In Los Angeles, November [[2019]], [[Rick Deckard]] ([[Harrison Ford]]) is called out of retirement when an overconfident Blade Runner — [[Holden]] ([[Morgan Paull]]) — is shot during a [[Voight-Kampff machine|Voight-Kampff test]] by [[Leon]] ([[Brion James]]), an escaped replicant.
+==Cast==
-[[Image:BladeRunner Sun.jpg|thumb|left|275px|Tyrell dimming the sun.]]
+*[[Harrison Ford]] as [[Rick Deckard|Deckard]]
-A reluctant Deckard is brought to his old boss [[Bryant]] ([[M. Emmet Walsh]]), who informs him that the recent escape of Nexus-6 replicants is the worst yet. Bryant briefs Deckard on the replicants: A total of [[The six replicants | six replicants]] have escaped on Earth. [[Roy Batty]] ([[Rutger Hauer]]) is a commando, Leon a soldier and manual laborer, [[Zhora]] ([[Joanna Cassidy]]) a sex worker retrained as an assassin, and [[Pris]] ([[Daryl Hannah]]) a 'basic pleasure model'. Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe against their developing unstable emotions. Deckard is teamed up with [[Gaff]] ([[Edward James Olmos]]) and sent to the [[Tyrell Corporation]] to ensure that the Voight-Kampff test works on Nexus-6 models. While there Deckard discovers that [[Tyrell]]'s ([[Joe Turkel]]) young secretary [[Rachael]] ([[Sean Young]]) is an experimental replicant with implanted memories which provide a cushion for her emotions.
+*[[Rutger Hauer]] as [[Roy Batty|Batty]]
+*[[Sean Young]] as [[Rachael]]
+*[[Edward James Olmos]] as [[Gaff]]
+*[[M. Emmet Walsh]] as [[Harry Bryant|Bryant]]
+*[[Daryl Hannah]] as [[Pris]]
+*[[William Sanderson]] as [[J.F. Sebastian|Sebastian]]
+*[[Brion James]] as [[Leon Kowalski|Leon]]
+*[[Joe Turkel]] as [[Eldon Tyrell|Tyrell]]
+*[[Joanna Cassidy]] as [[Zhora]]
+*[[James Hong]] as [[Hannibal Chew|Chew]]
+*[[Morgan Paull]] as [[Dave Holden|Holden]]
+*[[Kevin Thompson]] as [[Bear]]
+*[[John Edward Allen]] as [[Kaiser]]
+*[[Hy Pyke|Hy Pike]] as [[Taffey Lewis]]
+*[[Kimiko Hiroshige|Kimiro Hiroshige]] as [[Cambodian lady|Cambodian Lady]]
+*[[Bob Okazaki|Robert Okazaki]] as [[Howie Lee|Sushi Master]]
+*[[Carolyn DeMirjian]] as Saleslady
+*[[Ben Astar]] as [[Abdul Ben Hassan]]
+===Uncredited===
+*[[Judith Burnett]] as Ming-Fa
+*[[Leo Gorcey, Jr.]] as [[Louie]]&ndash;Bartender #2
+*[[Charles Knapp]] as Bartender #1
+*[[Thomas Hutchinson]] as Bartender #3
+*[[Kelly Hine]] as Show Girl
+*[[Sharon Hesky]] as Barfly #1
+*[[Rose Mascari]] as Barfly #2
+*[[Alexis Rhee|Alexis (Susan) Rhee]] as Geisha #1 (Billboard)
+*[[Hiroko Kimuri]] as Geisha #2
+*[[Kai Wong]] as Chinese Man #1
+*[[Kit Wong]] as Chinese Man #2
+*[[Hiro Okazaki]] as Policeman #1
+*[[Steve Pope]] as Policeman #2
+*[[Robert Reiter]] as Policeman #3
+==Production==
-Deckard and Gaff then search Leon's apartment as Roy and Leon force [[Hannibal Chew]] ([[James Hong]]), an eye designer, to direct them to [[J.F. Sebastian]] ([[William Sanderson]]) who can lead them to Tyrell. Later, Rachael visits Deckard at his apartment to prove her humanity to him, but leaves in tears upon hearing that her memories are artificial. Pris meets up with Sebastian and takes advantage of his kind nature to gain access to his apartment.
+[[Philip K. Dick]] died before its release, but saw a forty-minute special effects test reel, about which he was very complimentary. The screenplay, by [[Hampton Fancher]], attracted producer [[Michael Deeley]] (who secured several financing sources, later problematic when one delayed the release of the film's Special Edition) who convinced director [[Ridley Scott]] to create his first American film; Scott was unhappy with the script and had [[David Peoples]] rewrite it.
+The title derives from Alan E. Nourse's novel ''The Bladerunner'' (1974), whose protagonist smuggles black-market surgical instruments. William S. Burroughs' wrote ''Bladerunner, A Movie'' a cinema treatment. Aside from the title, neither Nourse's novel nor Burroughs's treatment are relevant to the film. Screenwriter Fancher happened upon a copy of ''Bladerunner, A Movie'' whilst Scott searched for a commercial title for his film; Scott liked the title, obtained rights to it, but not to the novel; (Note: some editions of Burroughs' treatment-novel use the two-word spacing: ''Blade Runner''.)
-Clues from Leon's apartment lead Deckard to [[Taffy Lewis]]' ([[Hy Pyke]]) bar where the tattooed Zhora is performing with a snake. Zhora makes a desperate attempt to get away from Deckard into the crowded streets, yet Deckard tracks her down and "retires" her. After the shooting, Gaff and Bryant show up and inform Deckard that Rachael will also need to be "retired". Deckard conveniently spots Rachael in the distance, though as he follows her he is suddenly disarmed by Leon who then proceeds to beat him. Rachael kills Leon, saving Deckard's life, and they go back to Deckard's apartment where they discuss her options, and in a quiet moment of musical intimacy they begin to fall in love.
+''Blade Runner'' owes much to Fritz Lang's 1927 film ''Metropolis''. Scott credits Edward Hopper's painting ''Nighthawks'' and the proto-cyberpunk short story comic "The Long Tomorrow" (by Dan O'Bannon, art by Moebius) as stylistic mood sources. Scott hired [[Syd Mead]] as conceptual artist, both were influenced by the French science fiction comic magazine ''Métal Hurlant'' (Heavy Metal), to which Moebius contributed. Moebius was offered pre-production of ''Blade Runner'', he declined, to work on René Laloux's animated film ''[es Maîtres du temps'' — a decision Moebius later regretted. [[Lawrence G. Paull]] (production designer) and [[David Snyder]] (art director) realised Scott's and Mead's sketches. [[Jim Burns]] briefly worked designing the [[Spinner]] hovercars; [[Douglas Trumbull]] and [[Richard Yuricich]] supervised the special effects for the film.
-Meanwhile, Roy arrives at Sebastian's apartment and with Pris' charms they convince Sebastian to help Roy meet Tyrell. Once in Tyrell's bedroom Roy demands an extension to his lifespan and requests absolution for his sins; upon receiving neither he kills Tyrell and Sebastian.
+[[Image:BladeRunner Spinner Billboard.jpg|thumb|right|275px|A police [[spinner]] flies alongside an advertising-laden skyscraper in LA.]]
+Prior to principal photography, [[Paul M. Sammon]] was commissioned by ''Cinefantastique'' magazine to do a special article on the making of ''Blade Runner''. His detailed observations and research later became the book ''[[Future Noir: The Making of Blade Runner]]'', which is also called the ''Blade Runner Bible'' by the cult following of the film. The book outlines not only the evolution of ''Blade Runner'' but the politics and difficulties on-set; particularly on Scott's expectations (coming from Britain) of his first American crew. Also, his directing style with actors created friction with the cast and likely contributed to Ford's subsequent reluctance to discuss the film.
-[[Image:BladeRunner Bradbury Interior.jpg|thumb|right|275px|The [[Bradbury Building]]]]
-Deckard is sent to Sebastian's apartment after the murders and is ambushed by Pris, though he manages to shoot her after a struggle. Roy returns moments later, trapping Deckard in the apartment and playfully hunting him throughout the dilapidated [[Bradbury Building]], eventually forcing him to the roof. Deckard attempts a jump to another building and ends up desperately hanging from a beam. Roy easily makes the jump and stares down at Deckard — just as Deckard loses his grip Roy grabs his wrist and saves his life. Roy is deteriorating quickly (his 4-year lifespan is up) as he sits down in the rain and eloquently marvels at the highlights of his life and concludes, "All those moments... will be lost... in time... like... tears in rain. Time... to die." Roy quietly dies as Deckard looks on in silence. Gaff arrives in a [[spinner]] shortly afterward and, as he's leaving, cryptically shouts, "It's too bad she won't live, but then again, who does?"
-Deckard returns to his apartment and cautiously enters when he sees the door is ajar. He finds Rachael alive and as they leave Deckard comes across an origami calling card left by Gaff; he has allowed them to escape, and they depart toward an uncertain future together.
 ==Themes==
-=====''Main article: [[Themes in Blade Runner]]''=====
+:<sub>''Main article: [[Themes in Blade Runner]]''</sub>
-Despite the initial appearance of an action film, [http://www.top-science-fiction-movies.com/blade-runner/ Blade Runner] operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a [[wikipedia:Raymond Chandler|Chandleresque]] first-person narration (removed in later versions), and the questionable moral outlook of the Hero — extended here to include even the humanity of the hero, as well as the usual dark and shadowy cinematography. It is one of the most literate science fiction films, both thematically — enfolding the philosophy of religion and moral implications of the increasing human mastery of genetic engineering, within the context of classical Greek drama and its notions of hubris — and linguistically, drawing on the poetry of [[wikipedia:William Blake|William Blake]] and the Bible. ''Blade Runner'' also features a chess game based on the famous Immortal Game of 1851. (The king and queen are interposed on Tyrell's side, a position which a grandmaster would never attempt.) [[Image:BladeRunner Bradbury.jpg|thumb|left|260px|Dark sprawl overlooked by glimmering towers.]]
+Despite the initial appearance of an action film, ''Blade Runner'' operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a [[wikipedia:Raymond Chandler|Chandleresque]] first-person narration (removed in later versions), and the questionable moral outlook of the Hero — extended here to include even the humanity of the hero, as well as the usual dark and shadowy cinematography. It is one of the most literate science fiction films, both thematically — enfolding the philosophy of religion and moral implications of the increasing human mastery of genetic engineering, within the context of classical Greek drama and its notions of hubris — and linguistically, drawing on the poetry of [[wikipedia:William Blake|William Blake]] and the Bible. ''Blade Runner'' also features a chess game based on the famous Immortal Game of 1851. (The king and queen are interposed on Tyrell's side, a position which a grandmaster would never attempt.) [[Image:BladeRunner Bradbury.jpg|thumb|left|260px|Dark sprawl overlooked by glimmering towers.]]
 The world of ''Blade Runner'' depicts a future whose fictional distance from present reality has grown sharply smaller as [[2019]] approaches. The film delves into the future implications of technology on the environment and society by reaching into the past using literature, religious symbolism, classical dramatic themes and film noir. This tension between past, present and future is apparent in the retrofitted future of Blade Runner, which is high-tech and gleaming in places but elsewhere decayed and old.
@@ Line 63: / Line 101: @@
 [[Image:BladeRunner Deckard and Rachael.jpg|right|275px|thumb|Deckard and Rachael.]]
-This provides an atmosphere of uncertainty for ''Blade Runner's'' central theme of examining humanity. In order to discover replicants an empathy test is used with a number of questions focused on the treatment of animals; making it the essential indicator of someone's "humanity". The replicants are juxtaposed with human characters who are unempathetic, and while the replicants show passion and concern for one another the mass of humanity on the streets is cold and impersonal. The film goes so far as to put in doubt the nature of [[Themes in Blade Runner#Deckard: replicant or human.3F|Deckard]] and forces the audience to reevaluate what it means to be human.
+This provides an atmosphere of uncertainty for ''Blade Runner''<nowiki>'</nowiki>s central theme of examining humanity. In order to discover replicants an empathy test is used with a number of questions focused on the treatment of animals; making it the essential indicator of someone's "humanity". The replicants are juxtaposed with human characters who are unempathetic, and while the replicants show passion and concern for one another the mass of humanity on the streets is cold and impersonal. The film goes so far as to put in doubt the nature of [[Themes in Blade Runner#Deckard: replicant or human.3F|Deckard]] and forces the audience to reevaluate what it means to be human.
-==Cast==
+==Reception ==
+==Awards and nominations==
-''Blade Runner'' had a significant number of then-unknown actors in its cast:
-*[[Harrison Ford]] as Rick Deckard. Coming off some success with ''[[wikipedia:Star Wars Episode IV: A New Hope|Star Wars Episode IV: A New Hope]]'', but still a year before ''[[wikipedia:Raiders of the Lost Ark|Raiders of the Lost Ark]]'' was released, Ford was looking for a role with dramatic depth. After Steven Spielberg praised Ford and showed some ''Raiders'' rushes to Michael Deeley and Ridley Scott they got Ford onboard. Due to the initially poor reception of ''Blade Runner'' and friction with Scott, Ford has usually avoided discussing the film.
-*[[Rutger Hauer]] as Roy Batty. Hauer gave a brief performance as the violent yet complex leader of [[replicant]]s with nothing to lose.
-*[[Sean Young]] as Rachael. The picture of female "perfection" at 22 years old, Young still counts ''Blade Runner'' among her favorite films, despite friction with Ford and Scott as a result of her inexperience and young age.
-*[[Edward James Olmos]] as Gaff. Olmos used his diverse ethnic background to help create the [[Cityspeak]] his character uses in the film. This helps, along with his cane, to create mystery around a character whose exact role isn't clarified while he observes and comments (through his origami) on Deckard.
-*[[Daryl Hannah]] as Pris. Hannah managed to bring out the dangerous innocence of a replicant in love with Roy Batty.
-{| align="center" border="0"
-|[[Image:BladeRunner Gaff.jpg|right|thumb|234px|Gaff with his cane.]]
-|||||
-|[[Image:BladeRunner Roy Tyrell.jpg|left|thumb|285px|Roy (left) meets his maker, Tyrell.]]
-|}
-Supporting roles:
-*[[Morgan Paull]] as [[Holden]]. Holden didn't have much of a chance when going up against a [[Nexus-6]] for the first time, but he did manage to draw his gun while being shot and warn Deckard about the replicants in a deleted hospital scene.
-*[[Brion James]] as [[Leon]]. Although at first glance a dumb [[replicant]] used for muscle, Leon did have an undertone of intuitive intelligence that helped him nearly kill Holden, torture Chew and beat Deckard.
-*[[M. Emmet Walsh]] as Captain Bryant. Walsh lived up to his reputation as a great character actor with the role of a hard drinking police veteran.
-*[[Joe Turkel]] as [[Eldon Tyrell|Dr. Eldon Tyrell]]. With a confident penetrating voice and a panache for self-aggrandizement, this corporate mogul directed scientific progress to create a successful enterprise built on a gradual recreation of slavery with few sympathetic characteristics.
-*[[James Hong]] as Hannibal Chew. An elder geneticist who loves his work, especially with synthesizing eyes.
-*[[William Sanderson]] as J.F. Sebastian, a quiet and lonely genius who provides a compassionate yet compliant portrait of humanity. This led to more varied work for Sanderson.
-*Ben Astar as [[Abdul Ben-Hassan]].
-*[[Hy Pyke]] as [[Taffey Lewis]]. Despite only having one scene, Pyke conveys Lewis' sleasiness with ease and apparently with one take; something unheard of with Scott's drive for perfection resulting at times in double digit takes.
-*[[Joanna Cassidy]] as Zhora. In a limited time Cassidy conveys a strong woman who has seen the worst humanity has to offer, and her death has a profound impact on Deckard.
-== Reception ==
-{{Infobox Movie rating |
-  width          = 21.0em |
-  Ratings        = UK:15 (video rating) (1986) / Australia:M / Canada:14A (director's cut) / Ireland:15 / UK:AA (original rating) / USA:R / Iceland:16 |
-  for            = violence |
-}}
-== Awards and nominations ==
 ''Blade Runner'' has both won, and been nominated for, many awards.
 It was nominated for the following awards:
@@ Line 131: / Line 136: @@
 For more, see [[Saturn Award|Awards Won]].
-== Influence ==
+==Influence==
 [[Image:RoyBatty.jpg|left|thumb|275px|Roy Batty ([[Rutger Hauer]]) with a dove.]]
 Initially avoided by North American audiences, ''Blade Runner'' was popular internationally and has become a cult classic. The film's popularity and cult status has made it popular to reference in other media. The television show ''Futurama'' has made multiple references to ''Blade Runner'', and the shows ''Cutting It'' and ''Stargate SG-1'' have used quotes from the film. Actor [[William Sanderson]], who played Sebastian, voiced a similar character in the cartoon series ''Batman: The Animated Series''. In the action film ''The 6th Day'', a virtual psychologist says, "You seem to be avoiding talking about your parents. Imagine, two turtles are walking through the desert..."
@@ Line 147: / Line 152: @@
 The Fear Factory album Demanufacture features a song entitled "Replica" which was influenced by the movie.
-== Versions ==
+==Versions==
-:''See the main article on [[Blade Runner versions]]''
+:''For more information, such as differences between the versions, see [[Versions of Blade Runner]].''
-Five versions of the film exist:
+Seven versions of the film exist:
 * The original 1982 international cut, which included more graphic violence than the U.S. theatrical release, and which was released on VHS and on Criterion Collection Laserdisc.
 * The U.S. theatrical version, also called the ''domestic cut''.
+* The San Diego sneak preview version, which is nearly identical to the domestic cut, but containing two additional scenes.
-* A workprint version, shown only as an audience test preview and occasionally at film festivals;&nbsp; This version was distributed in 1991, as a ''Director&apos;s Cut'' without Scott&apos;s approval (and was&nbsp;later included on the 2012 30th Anniversary Blu-ray set).
+* The U.S. broadcast version, edited for network television.
-* The Ridley Scott-approved 1992 Director&amp;apos;s Cut, prompted by the unauthorized 1991 release.
-*A fifth version, ''Blade Runner: The Final Cut'', was shown in theaters in Los Angeles and New York in October, 2007.&nbsp; A 3-DVD set and a 5-disc Blu-ray set followed in&nbsp;2007.&nbsp; It was then re-released on&nbsp;Blu-ray for the film&apos;s 30th anniversary in 2012.
+* A workprint version, shown only as an audience test preview and occasionally at film festivals;&nbsp; This version was distributed in 1991, as a ''Director&apos;s Cut'' without Scott's approval (and was&nbsp;later included on the 2012 30th Anniversary Blu-ray set).
+* The Ridley Scott-approved 1992 Director's Cut, prompted by the unauthorized 1991 release.
+*A fifth version, ''Blade Runner: The Final Cut'', was shown in theaters in Los Angeles and New York in October, 2007.&nbsp; A 3-DVD set and a 5-disc Blu-ray set followed in&nbsp;2007.&nbsp; It was then re-released on&nbsp;Blu-ray for the film's 30th anniversary in 2012.
+Of the seven, five are widely available: the domestic cut, international cut, workprint, Director's Cut, and Final Cut.
-== Music ==
-====''Main article: [[Blade Runner (soundtrack)]]''====
+==Music==
+:<sub>''Main article: [[Blade Runner (soundtrack)]]''</sub>
 Vangelis, fresh off of his [[wikipedia:Academy Award]] winning score from ''Chariots of Fire'', composed and performed the music on his synthesizers. The musicscape of the 2019 was created in Vangelis' "space" mode of new age music, as heard on such albums of his as ''[[wikipedia:Heaven and Hell (Vangelis album)|Heaven and Hell]]''. He also made use of various chimes and the vocals of collaborator Demis Roussos. Ridley Scott also used "Memories of Green" from Vangelis' album ''See You Later'' (an orchestral version of which Scott would later use in his film ''Someone To Watch Over Me'').
@@ Line 168: / Line 177: @@
 :''"Dreamy, evocative, beautiful and essential."'' &ndash; [http://www.moviegrooves.co.uk/shop/bladerunner.htm moviegrooves.com]
-== Documentaries ==
+==Novel==
+{{See also|Do Androids Dream of Electric Sheep?#Differences Between the Novel and Film|l1=Differences Between the Novel and Film}}
-[[Image:BladeRunner Fancher and Peoples.jpg|right|thumb|275px|From the ''Edge'' documentary, featuring the Blade Runner screenwriters Fancher (left) and Peoples (now friends).]]
+The original screenplay by [[Hampton Fancher]] was based loosely on [[Philip K. Dick]]'s ''Do Androids Dream of Electric Sheep?'', which he optioned in 1980 after an unsuccessful previous attempt. However, Fancher's script focused more on environmental issues and less on issues of humanity and faith, which weighed heavily in the novel. When Ridley Scott became involved with the film, he wanted changes to the script made, and eventually hired David Peoples to perform the re-writes after Fancher refused. The film's title also changed several times during the writing process, it was to be called ''Dangerous Days'' in Fancher's last draft before eventually taking the name Blade Runner, actually borrowed (with permission) from a William S. Burroughs science fiction novel titled ''Blade Runner: A Movie''.
-'''''On the Edge of Blade Runner''''' (55 minutes), produced in 2000 by Nobles Gate Ltd. (for Channel 4), was directed by Andrew Abbott and hosted/written by Mark Kermode, and will be included in the Special Edition. Interviews with production staff, including Ridley give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into [[Philip K Dick]] and the origins of ''[[Do Androids Dream of Electric Sheep?]]''
-Interweaved are cast interviews with the notable exceptions of [[Harrison Ford]] and [[Sean Young]]. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the [[Bradbury Building]] and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.
-The documentary then details the test screenings postproduction editing/changes (voice over and happy ending, deleted Holden hospital scene), special effects, soundtrack by Vangelis, and the unhappy relationship between the filmmakers and the investors; which culminated in Deeley and Ridley being fired but still working on the film. The question of whether or not [[Themes in Blade Runner#Deckard: replicant or human.3F|Deckard]] is a replicant surfaces. After being a "disaster" in the box office (a financial loss initially) Blade Runner was reborn in the video rental market, and a great reception of a chance screening of Ridley's workprint at the Fairfax Theater, Los Angeles, in May 1990 led to Warner Bros. having the "Director's Cut" done by film archivist Michael Arick.
-'''''Future Shocks''''' (27 minutes), a more recent documentary from 2003 by TVOntario (as part of their Film 101 series), has interviews with executive producer Bud Yorkin, [[Syd Mead]], and the cast along with [[Sean Young]], but again without [[Harrison Ford]]. There is extensive commentary by science fiction author Robert J. Sawyer and film critics as the documentary focuses on the themes, visual impact and influence of the film. Olmos goes into Ford's participation and personal experiences during filming are related by Young, Walsh, Cassidy and Sanderson. They also relate a story where crew members created t-shirts which took pot shots at Ridley. The versions of the film are critiqued and how closely Blade Runner predicted the future is discussed.
-== Novel ==
-:''See also: [[Do Androids Dream of Electric Sheep?#Differences Between the Novel and Film|Differences Between the Novel and Film]]''
-The original screenplay by [[Hampton Fancher]] was based loosely on [[Philip K Dick]]'s ''Do Androids Dream of Electric Sheep?'', which he optioned in 1980 after an unsuccesful previous attempt. However, Fancher's script focused more on environmental issues and less on issues of humanity and faith, which weighed heavily in the novel. When Ridley Scott became involved with the film, he wanted changes to the script made, and eventually hired David Peoples to perform the re-writes after Fancher refused. The film's title also changed several times during the writing process, it was to be called ''Dangerous Days'' in Fancher's last draft before eventually taking the name Blade Runner, actually borrowed (with permission) from a William S. Burroughs science fiction novel titled ''Blade Runner: A Movie''.
 As a result of Fancher's divergence from the novel, numerous re-writes before and throughout shooting the film and Ridley Scott never having entirely read the novel it was based on, the film diverged significantly from its original inspiration. The changes have led many critics and fans to consider them as independent works of fiction; despite the fact ''Do Androids Dream of Electric Sheep?'' was reprinted for a time with the title ''Blade Runner'' to help promote sales. Some of the themes in the novel that were minimized or entirely removed include fertility/sterility of the population, religion, mass media, Deckard's uncertainty that he is human, real versus synthetic pets, and emotions.
-== Sequels ==
+==Sequels==
-Three official and authorized ''Blade Runner'' novels have been written by Philip K Dick's friend [[K. W. Jeter]] that continue the story of Rick Deckard and attempt to resolve many of the differences between ''Blade Runner'' and ''Do Androids Dream of Electric Sheep?''. The novel ''Blade Runner 2'' contains numerous inconsistencies with the film, however, including the resurrection of a dead character and a complete reworking of the nature of another. The final result is more of an alternate universe than a direct sequel.
+Three official and authorized ''Blade Runner'' novels have been written by Philip K. Dick's friend [[K. W. Jeter]] that continue the story of Rick Deckard and attempt to resolve many of the differences between ''Blade Runner'' and ''Do Androids Dream of Electric Sheep?''. The novel ''Blade Runner 2'' contains numerous inconsistencies with the film, however, including the resurrection of a dead character and a complete reworking of the nature of another. The final result is more of an alternate universe than a direct sequel.
 *''[[Blade Runner 2: The Edge of Human]]'' (1995)
@@ Line 196: / Line 194: @@
 Though not an official sequel to ''Blade Runner'', many fans have noted the similarity of the 1999 TV series ''Total Recall 2070'' to the Blade Runner universe. Many consider the series a sequel to, or at least set in, the same universe as ''Blade Runner''. Some truth actually lies in this assumption. ''Total Recall 2070'' was based on two works by Phillip K. Dick: the short story, ''We Can Remember It for You Wholesale'' (on which the film Total Recall is based), and the novel ''Do Androids Dream of Electric Sheep?'', on which ''Blade Runner'' is based.
+A sequel to ''Blade Runner'', directed by [[Denis Villeneuve]], entitled ''[[Blade Runner 2049]]'' was released on October 6, 2017. [[Harrison Ford]] and [[Edward James Olmos]] reprise their roles from the first film.
-As of 2015, a sequel was announced but with no release date given. Ridley Scott will not return to direct the movie but Harrison Ford is said to return as Deckard.
-== Games and comics ==
+==Games and comics==
-[[Image:BladeRunner PC Game (Front Cover).jpg|right|thumb|140px|PC game cover.]]
+[[Image:BladeRunner PC Game (Front Cover).jpg|thumb|140px|PC game cover]]
-There are two computer games based on the film, one for Commodore 64 and ZX Spectrum by CRL Group PLC (1985) based on the music by [[Vangelis]] (due to licensing issues), and another action adventure [[Blade Runner (video game)|PC game]] by [[Westwood Studios]] (1997). The latter game featured new characters and branching storylines based on the Blade Runner world, coupled with voice work from some of the original cast from the film. A prototype board game was also created in California (1982) that had game play similar to Scotland Yard.
+There are two computer games based on the film, [[Blade Runner (1985 video game)|one]] for [[Wikipedia:Commodore 64|Commodore 64]] and [[Wikipedia:ZX Spectrum|ZX Spectrum]] by CRL Group PLC (1985) based on the music by [[Vangelis]] (due to licensing issues) and another action adventure [[Blade Runner (video game)|PC game]] by [[Westwood Studios]] (1997). The latter game featured new characters and branching storylines based on the Blade Runner world, coupled with voice work from some of the original cast from the film. A prototype board game was also created in California (1982) that had game play similar to Scotland Yard.
-The cult computer game wikipedia:Snatcher was heavily influenced by Blade Runner, so much so that websites exist detailing the numerous similarities between the two.
+The cult computer game ''[[Wikipedia:Snatcher|Snatcher]]'' was heavily influenced by Blade Runner, so much so that websites exist detailing the numerous similarities between the two.
 Archie Goodwin scripted the comic book interpretation, [[A Marvel Comics Super Special: Blade Runner]], published September, 1982. The Jim Steranko cover leads into a 45-page adaptation illustrated by the team of Al Williamson, Carlos Garzon, Dan Green and Ralph Reese. (This adaptation includes one possible explanation of the title's significance in story context: the narrative line, "Blade runner. You're always movin' on the edge.") Also there was a parody comic of Blade Runner called "Blade Bummer" by Crazy comics.
-== Curse ==
+==Trivia==
+*[[Wikipedia:Dustin Hoffman|Dustin Hoffman]] was the original choice for the lead, although he was asked why they asked him to play a "macho role". Hoffman was interested in the project, but wanted to change [[Rick Deckard|Deckard]]'s character, so the producers decided to make Harrison Ford.
-Among the folklore that has grown up around the film over the years has been the belief that the film was a curse to the companies whose logos were displayed prominently in some scenes. While they were market leaders at the time, many of them experienced disastrous setbacks over the next decade and hardly exist today:
+*[[Wikipedia:Debbie Harry|Deborah Harry]] was the first choice for [[Pris]].
+*[[Daryl Hannah]] could not perform her own stunt movements in the scene where Pris attacked Deckard, so she was rented a gymnast. But she practiced with Scott's scene for so long that she was exhausted to do anything when it was time to shoot, so she was hired by a male gymnast
-*Atari, which dominated the home video game market when the film came out, never recovered from the next year's downturn in the industry, and by the 1990s had ceased to exist as anything more than a brand, a back catalog of games and some legacy computers.
+*When Gaff talks to Deckard in a Japanese restaurant he speaks a part of the [[Wikipedia:Hungarian language|Hungarian language]]. Speak: "Azonnal kövessen engem!" ("Follow Me Now!") and "Lófasz", which means something very rudely (literally "horses di..."). Later, he said,  "Nehogy mar, te vagy a Blade Runner!", which translates to "Impossible, you're the Blade Runner!". Then he starts speaking in another language. Allegedly to the viewers in [[Wikipedia:Hungary|Hungary]] that an hilarious sequence.
-*The Bell System monopoly was broken up that same year, and some of the resulting Regional Bell operating companies have since changed their names and merged with each other or other companies.
+*In a sequence in which Deckard and [[Gaff]] are approaching a [[Los Angeles Police Department|police station]], [[w:c:starwars:Millenium Falcon|Millenium Falcon]]'s model from the "[[w:c:starwars:Star Wars|Star Wars]]" series is masked as a building and can be seen on the left side of the screen. And the model of a spacecraft from the movie "[[Wikipedia:Dark Star (film)|Dark Star]]" can be found masked as a building.
-*Pan American World Airways went bankrupt in 1991, after a decade of mounting losses.
+*[[Rachael]], [[Dave Holden|Holden]] and Pris smokes "Boyrd" cigarettes, originating in [[Wikipedia:France|France]].
-*Cuisinart similarly went bankrupt in 1989.
+*At one time every replicator has a red spark in his eyes (Rachael in Deckard's Apartment, Pris in [[J.F. Sebastian|Sebastian]]). And Deckard has the same light when he talks to Rachael in his apartment.
-*[[Coca Cola Company|Coca-Cola]] could have joined this list in the wake of its failed introduction of New Coke three years later, but has since experienced a thirty fold increase in share price.
+*[[Rutger Hauer]] partially improvized his final speech.
+*In the original scenario, six [[replicant]]s were mentioned. The sixth was called "[[Mary]]", but it was kicked out of budget constraints and time schedules. This resulted in illogicalities because [[Harry Bryant|Bryant]]'s character reminded Deckard that six replicants had escaped, but one was killed by an "electrical fence", which would mean that there were five of them. But in the movie, only four of them are shown. So some have developed the theory that Deckard is the fifth replicant.
+*Filming was allegedly so tiring that the members of the team were hijacked by [[Ridley Scott]]. Even the shooting of [[Harrison Ford]] remained in bad memory. They even gave the movie a mocking name "Blood Runner".
+*This was the first film to be released in the "director's version" by the original director's vision.
+*In 2000 Ridley Scott stated that Deckard was a replicant. Ford then angered and said "We agreed that he definitely was not replicant".
+*2004. "[[Wikipedia:The Guardian|The Guardian]]" has conducted a study with 60 scientists nominated by Blade Runner as the best SF film.
-== See also ==
+==Video==
+<gallery widths="200" position="center" spacing="small" captionalign="center">
-*[[wikipedia:Union Station (Los Angeles)]] &ndash; Used as police headquarters.
+Blade Runner 30th Anniversary Trailer
-*[[Bradbury Building]] &ndash; The setting for J.F. Sebastian's apartment.
+Blade Runner 30th Anniversary AFI Trailer
-*[[wikipedia:Kabukicho]] &ndash; Tokyo's red-light district was an inspiration for Blade Runner set design.
+Blade Runner 30th Anniversary HD SD Trailer
-*[[wikipedia:Million Dollar Theater]] &ndash; Seen across from the Bradbury.
+- Commercial - Blade Runner w Harrison Ford
-*[[wikipedia:Ennis House]] &ndash; The setting for Deckard's apartment.
+Blade Runner 1982 TV Spot
-[[Image:BladeRunner Voigt-Kampff machine.jpg|right|thumb|240px|Voight-Kampff empathy test.]]
+Blade Runner (1982) Trailer
-*[[Spinner]]
+"Blade Runner (1982)" Teaser Trailer
-*[[Voight-Kampff machine]]
+</gallery>
-== References ==
+==References==
+{{Imagecat|Images (Blade Runner)}}
 # {{note|bfi}} Bukatman, Scott. (1997) ''Blade Runner: BFI Modern Classics''. ISBN 0851706231
 # {{note|brbible1}} Sammon, Paul. (1996) ''Future Noir: the Making of Blade Runner''. ISBN 0061053147
@@ Line 272: / Line 278: @@
 {{wikipedia|Blade Runner}}
+[[ja:ブレードランナー]]
 [[Category:Films]]
+[[Category:Adaptations of Do Androids Dream of Electric Sheep?]]
+[[Category:Real-world articles]]